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Victoria M. Johnson
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Author Archives: Victoria M. Johnson
Lessons Learned From Face Off Part II
Each episode of Syfy Channel’s Face Off is worth a semester-long class in film school. That’s how insightful the series is. Watch for yourself and see if you come up with different kernels of truth than I did. If so, … Continue reading
Posted in filmmakers
Tagged creativity, critique, FaceOff, filmmaking, Hollywood, judges, movie
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Lessons Learned From Face Off Part I
It’s no secret that I love movies and filmmaking so it’s no surprise that I’m a fan of the Syfy Channel series Face Off, a reality show that tests the creative muscle of movie make-up artists. With phenomenal judges who … Continue reading
Posted in Scriptwriting
Tagged Face Off, Hollywood, lessons, make-up artists, screenwriters, Syfy Channel
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Wise Words
“It’s hard enough to write a good drama, it’s much harder to write a good comedy, and it’s hardest of all to write a drama with comedy. Which is what life is.” Jack Lemmon
My Thriller Debut (Part III)
I must say that again I got lucky. I can’t take sole credit for the way the team pulled together. I mean in 48 hours you really are asking a lot of people. It doesn’t sound like a lot, but … Continue reading
Posted in short films, thriller films
Tagged A House to Herself, actors, creative, crew, film, movie, post-production, production, script
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Back for More Filmmaking Madness (Thriller Part II)
We held our breathe as we waited to pull our genre from the hat. I did not want to make a musical or western or comedy. I believed I could turn any other genre into some sort of a thriller. … Continue reading
Posted in filmmakers, thriller films
Tagged A House to Herself, Allan Lazo, casting, Eric Andersen, filmmakers, loglines, Maria Skorobogatov, script, thriller, YaVaughnie Wilkins
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Eager To Make A Short Thriller (Part I)
With the experience of the prior two short films, the feature horror film, and the audition for the feature film under my belt, I was all business about recruiting the cast and crew, and about finding the perfect location. Flexibility is key in making a 48 Hour film. But the one thing that is set in stone is the location. Oh sure, I wasted a lot of time and energy my first year running around getting permissions for 3 locations— Continue reading
